the 19th century in the 21st century,
C/O Berlin, Berlin
2018
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Installation view, C/O Berlin,
Berlin, 2018
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| Installation views of Back to the Future, the 19th century in the 21st century, C/O Berlin, Berlin 2018 . . |
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Installation view, C/O Berlin, Berlin, 2018 |
| Installation
views of Back to the Future, the 19th century in the 21st century, Foam Fotografiemuseum Amsterdam 2018 .. .. |
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 Current and Equivalent, 2018. Three pre-Columbian Chimú burial vessels, ca. AD 900-1470, wool, ash wood, two parts.  Chimú Suite, 2015-2018. Six silver gelatin fibre-base prints, each 10x12,5 cm. Framed 46x52 cm. |
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 Detail of Chimú Suite, 2015-2018. Silver gelatin fibre-base print, 10x12,5 cm. Framed 46x52 cm.  Detail of Chimú Suite, 2015-2018. Silver gelatin fibre-base print, 10x12,5 cm. Framed 46x52 cm. |
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views of Sea Views Rijksmuseum 2017 . |
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 From and To / Elongated View, 2011. Silver gelatin print, 16,5x21 cm. Collection Huis Marseille Collection Rijksmuseum  Documentary photograph, From and To / Elongated View, 2011 |
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| Installation
view of Human Figure / Living, Giving at a clothing repair workshop in the city of Arnhem 2016 . |
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 Exhibition catalogue Human Figure / Living, Giving Published by Museum Arnhem Text by Simon van Til 2016 PDF in Dutch available here. |
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views of When I Give, I Give Myself Van Gogh Museum 2015 . |
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 Untitled, 2015. Silver gelatin fibre-base print, 10x12,5 cm. Framed 46x52 cm. |
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 Installation view, Van Gogh Museum, Amsterdam, 2015  Exhibition catalogue When I Give, I Give Myself Published by Van Gogh Museum Text by Hans den Hartog Jager 2015 PDF in English available here. |
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| Installation
views of Function Creep De Ateliers 2015 . |
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 Essay Sluitertijd, over Untitled (2015) Published in De Witte Raaf (BE) Essay by Dominic van den Boogerd 2015 PDF in Dutch available here. |
| Untitled 2015 silver gelatin print 10x12,5 cm. . |
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 Untitled, 2015. Silver gelatin fibre-base print, 10x12,5 cm. Framed 46x52 cm. |
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| Installation
views of Archeological Festival, a 2nd hand history or improbable obsessions, Tartu Kunstimuuseum, Tartu, EE 2014 . |
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 Untitled, 2014. Chromogenic color print, 24x18 cm. Framed 26x20 cm. Collection De Nederlandsche Bank Private collections |
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Study 2014 chromogenic color print 120,5x152,5 cm. . |
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 Installation view of Archeological Festival, a 2nd hand history or improbable obsessions, Tartu Kunstimuuseum, Tartu, Estonia, 2014 Object Study, 2014. Chromogenic color print, 120,5x152,5 cm. Framed 124x156 cm. Collection De Nederlandsche Bank |
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views of One and the other De Nederlandsche Bank 2014 . |
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 Installation view, De Nederlandsche Bank, Amsterdam, 2014 |
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 Installation view, De Nederlandsche Bank, Amsterdam, 2014 |
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| The
Parallel I 2013 silver gelatin print 10x12,5 cm. . |
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Duplication
defines the small-scale work The Parallel I. In this work, a double exposure doubles a singular object, making it run parallel to itself.  The Parallel I, 2013. Silver gelatin print, 10x12,5 cm. Framed 46x52 cm. Private collection |
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views of One and the other De Nederlandsche Bank 2014 . |
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 Documentary photograph, Moonlit Disk, 2012 Moonlit Disk, 2012. Chromogenic color print, 160x200 cm. Framed 164x204 cm. Collection Huis Marseille |
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 Umbra in Umbra, 2012-2013. Silver gelatin fibre-base print, 52,5x65,3 cm. Framed 56x68,5 cm.  Installation view, De Nederlandsche Bank, Amsterdam, 2014 |
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| Two
Chimu-Inca Vessels 2012 chromogenic color print 40x50 cm. . |
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 Two Chimú-Inca Vessels, 2012. Chromogenic color print, 40x50 cm. Framed 110x130 cm.  Documentary photograph, Two Chimú-Inca Vessels, Museum Volkenkunde, National Museum of Ethnology, Leiden, 2012 |
 Documentary photograph, Two Chimú-Inca Vessels, Tropenmuseum, Amsterdam, 2012 |
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| Installation
views of The Rediscovery of the World Huis Marseille Museum for Photography 2013 . |
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 Installation view, Huis Marseille Museum for Photography, 2013 |
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| Light
over Horizon (sunset to nautical twilight) 2012 chromogenic color print 149x190 cm. . |
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The
work Light over Horizon is photographed with an exposure that started at exact sunset and lasted till exact nautical twilight. Resultingly, the exposure accumulated the last light of day, starting in daylight whilst ending in complete darkness. The lens was opened gradually from the smallest aperture to the widest, increasing the amount of light captured, whilst the available light steadily diminished.  Light over Horizon (sunset to nautical twilight), 2012. Chromogenic color print, 149x190 cm. Framed 153x194 cm. Private collection |
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| Installation
views of The Rediscovery of the World Huis Marseille Museum for Photography 2013 . |
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 Exhibition catalogue The Rediscovery of the World Published by Huis Marseille Text by Nanda van den Berg 2013 PDF in English and Dutch available here. |
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| From
and To / Elongated View 2011 silver gelatin print 16,5x21 cm. . |
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The
work From and To / Elongated View is photographed with an exposure time corresponding to the time it takes for light to travel from the sun to the Earth, an accurate duration of 8 minutes and 19 seconds. Travelling at the constant and finite speed of light, an approximate 300.000 km/s, light crosses an average distance of 150.000.000 km. Looking out over an expansive sea, the camera is employed not only as a means to produce an image, but as a device to measure both duration and distance.  Installation view, De Mesdag Collectie, The Hague, 2015 From and To / Elongated View, 2011. Silver gelatin print, 16,5x21 cm. Framed 100x150 cm. Collection Huis Marseille Collection Rijksmuseum |
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| Installation
view of Condensed Reality MMKA Museum voor Moderne Kunst Arnhem (presently Museum Arnhem) 2012 . |
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 Untitled, 2010. Silver gelatin print, 12,5x10 cm. Framed 52x46 cm. Private collection  Night, 2012. Chromogenic color print, 180x140 cm. Framed 224x184 cm. Collection Huis Marseille |