Contact /
CV


   

 

   
Installation views of Back to the Future,
the 19th century in the 21st century,
Foam Fotografiemuseum Amsterdam
2018

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Current and Equivalent
, 2018. Three pre-Columbian Chimú burial vessels, ca. AD 900-1470, wool, ash wood, two parts.



Chimú Suite, 2015-2018. Six silver gelatin fibre-base prints, each 10x12,5 cm.
Framed 46x52 cm.
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Detail of Chimú Suite, 2015-2018.
Silver gelatin fibre-base print, 10x12,5 cm.
Framed 46x52 cm.




Detail of Chimú Suite, 2015-2018.
Silver gelatin fibre-base print, 10x12,5 cm.
Framed 46x52 cm.

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.Installation views
of Sea Views
Rijksmuseum
2017
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From and To / Elongated View
, 2011.
Silver gelatin print, 16,5x21 cm.

Collection Huis Marseille
Collection Rijksmuseum




Documentary photograph, From and To /
Elongated View
, 2011

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Installation view of Human Figure /
Living, Giving at a clothing repair
workshop in the city of Arnhem
2016
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Exhibition catalogue
Human Figure / Living, Giving
Published by Museum Arnhem
Text by Simon van Til
2016

PDF in Dutch available here.
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Installation views of
When I Give, I Give Myself
Van Gogh Museum
2015
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Untitled, 2015. Silver gelatin fibre-base print, 10x12,5 cm. Framed 46x52 cm.

   
 



Installation view, Van Gogh Museum,
Amsterdam, 2015




Exhibition catalogue
When I Give, I Give Myself
Published by Van Gogh Museum
Text by Hans den Hartog Jager
2015

PDF in English available here
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Installation views of
Function Creep
De Ateliers
2015
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Installation view of WAS IT A CAT I SAW,
De Kleine Kapel, Arnhem, 2015




Installation view of WAS IT A CAT I SAW,
De Kleine Kapel, Arnhem, 2015.

Untitled
, 2015. 35 mm slide.


   
Untitled
2015
silver gelatin print
10x12,5 cm.
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Untitled
, 2015. Silver gelatin fibre-base print, 10x12,5 cm. Framed 46x52 cm.
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Installation views of
Function Creep
De Ateliers
2015
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Essay
Sluitertijd, over Untitled (2015)
Published in De Witte Raaf (BE)
Essay by Dominic van den Boogerd
2015


PDF in Dutch available here
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Installation views of Archeological Festival,
a 2nd hand history or improbable obsessions,
Tartu Kunstimuuseum, Tartu, EE
2014
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Untitled
, 2014. Chromogenic color print,
24x18 cm. Framed 26x20 cm.

Collection De Nederlandsche Bank
Private collections

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Object Study
2014
chromogenic color print
120,5x152,5 cm.
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Installation view of Archeological Festival, a 2nd hand history or improbable obsessions, Tartu Kunstimuuseum, Tartu, Estonia, 2014

Object Study, 2014. Chromogenic color print,
120,5x152,5 cm. Framed 124x156 cm.

Collection De Nederlandsche Bank
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Installation views of
One and the other
De Nederlandsche Bank
2014
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Installation view, De Nederlandsche Bank, Amsterdam, 2014

   
 

Installation view, De Nederlandsche Bank, Amsterdam, 2014
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The Parallel I
2013
silver gelatin print
10x12,5 cm.
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  Duplication defines the
small-scale work The Parallel I.
In this work, a double exposure
doubles a singular object,
making it run parallel to itself.





The Parallel I, 2013. Silver gelatin print,
10x12,5 cm. Framed 46x52 cm.

Private collection
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Installation views of
One and the other
De Nederlandsche Bank
2014
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Documentary photograph, Moonlit Disk, 2012

Moonlit Disk, 2012. Chromogenic color print,
160x200 cm. Framed 164x204 cm.

Collection Huis Marseille


   
 

Umbra in Umbra
, 2012-2013.
Silver gelatin fibre-base print,
52,5x65,3 cm. Framed 56x68,5 cm.




Installation view, De Nederlandsche Bank, Amsterdam, 2014
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Two Chimu-Inca Vessels
2012
chromogenic color print
40x50 cm.
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Two Chimú-Inca Vessels, 2012. Chromogenic color print, 40x50 cm. Framed 110x130 cm.



Documentary photograph, Two Chimú-Inca Vessels, Museum Volkenkunde, National Museum of Ethnology, Leiden, 2012

   


Documentary photograph, Two Chimú-Inca Vessels, Tropenmuseum, Amsterdam, 2012
   
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Installation views of
The Rediscovery of the World
Huis Marseille Museum for Photography
2013
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Installation view, Huis Marseille Museum for Photography, 2013

   
   
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Light over Horizon (sunset to nautical twilight)
2012
chromogenic color print
149x190 cm.
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  The work Light over Horizon is
photographed with an exposure
that started at exact sunset and
lasted till exact nautical twilight.
Resultingly, the exposure
accumulated the last light of day,
starting in daylight whilst ending
in complete darkness.
The lens was opened gradually from
the smallest aperture to the widest,
increasing the amount of light captured,
whilst the available light steadily diminished.





Light over Horizon (sunset to nautical twilight), 2012. Chromogenic color print, 149x190 cm. Framed 153x194 cm.

Private collection

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Installation views of
The Rediscovery of the World
Huis Marseille Museum for Photography
2013
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Exhibition catalogue
The Rediscovery of the World
Published by Huis Marseille
Text by Nanda van den Berg
2013

PDF in English and Dutch available here
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From and To / Elongated View
2011
silver gelatin print
16,5x21 cm.
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  The work From and To / Elongated View
is photographed with an exposure time
corresponding to the time it takes for
light to travel from the sun to the Earth,
an accurate duration of 8 minutes and 19 seconds. Travelling at the constant and
finite speed of light, an approximate
300.000 km/s, light crosses an average distance of 150.000.000 km.
Looking out over an expansive sea,
the camera is employed not only as
a means to produce an image, but as a
device to measure both duration and
distance.





Installation view, De Mesdag Collectie,
The Hague, 2015

From and To / Elongated View, 2011.
Silver gelatin print, 16,5x21 cm.
Framed 100x150 cm.

Collection Huis Marseille
Collection Rijksmuseum

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Installation view of Condensed Reality
MMKA Museum voor Moderne Kunst
Arnhem (presently Museum Arnhem)
2012
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Untitled, 2010. Silver gelatin print,
12,5x10 cm. Framed 52x46 cm.

Private collection




Night, 2012. Chromogenic color print,
180x140 cm. Framed 224x184 cm.

Collection Huis Marseille